Neil

source : http://www.pixar.com/artistscorner/andrew/interview.html

We have an immediate supervisor, then the art directors, then the director. First, I show the shot to my supervisor. When my supervisor thinks it's ready, it's reviewed by the art directors (such as the lighting director, etc.). They would say do a little of this and that, and when they like it we show it to the director. At Pixar, you get to sit down right next to the director and receive suggestions and fixes. That one-on-one is a nice thing, you don't get that at all studios.

如何檢閱你的鏡頭

我們有一個直接的指導者，然後美術指導，最後導演。首先，我展示鏡頭給指導者看。當我的指導者覺得鏡頭是可以的，它會被美術指導再檢閱過(例如燈光指導…等) 他們會說做一點點這個和那個，當他們喜歡它時，我們會展示給導演看。在皮克斯，你要坐在導演旁邊，然後聽導演的建議及修改。一對一是一件很好的事情，你不用待在整個工作室裡。

Art director藝術指導: 指負責影片中布景設計的人。
Lighting director 燈光指導: 負責測量最佳的曝光值搭並搭配美術風格以打出完善的光影效果