皮克斯動畫製作流程

source :http://pixar20.blogspot.com/2009/08/how-pixar-do-it.html


這裡我們要來介紹皮克斯的動畫電影是怎麼創造出來的，皮克斯官方網站裡面有十分詳細的介紹，共有14個階段（難怪一部片可以花上好幾年製作），說明皮克斯動畫工作室內部精細的分工與各個部門之間的合作關係。

Here we must introduce how the Pike Si's animation movie does create, Pike inside the Si official website has the very detailed introduction, altogether has 14 stages (no wonder a piece to be possible to spend on several year manufacture), explains Pike between the Si animation work room interior fine division of labor and each department's cooperation.

１.故事創作討論 a story idea is pitched
首先皮克斯人員會將點子提案給開發部門的其他成員，感覺很像是推銷商品，因為得要說服「觀眾」，才有機會被採用。

First Pike the Si personnel the drop proposal for development department's other members, will feel that very likely sells the commodity, because must convince “the audience”, only will then have the opportunity to use.

２.故事先以文字敘述 the text treatment is written
在著手繪圖之前，先用簡短的文字敘述來說明故事的核心概念，並在符合具體構想的情況下，由開發部門與故事板藝術家天馬行空地思考劇情發展的各種可能性，延伸出更多版本。

Before beginning the cartography, uses the brief writing narration to explain that the first story the core concept, and in tallies with in the concrete conception situation, by the development department and story board artist powerful and unconstrained style ponder plot development's each possibility, extends more editions0.

３.繪製故事板 storyboards are drawn
故事板就像是電影版的手繪漫畫，作為動作與對白設計的藍圖。每一個故事板藝術家會拿到腳本或故事大綱(beat outline)，當中說明角色性情的轉變，以及如何藉由動作來表達。被分配到不同的鏡頭後，故事板則扮演引導的角色，幫助他們發想、把想法畫出來，並徵求導演檢核同意。

The story board likely is the movie version's handpainted cartoon, designs the blueprint as the movement and the dialog. Each story board artist will attain the script or the story program (beat outline), middle explained that the role personality the transformation, how as well as will express because of the movement. Assigns after the different lens, the story board acts the guidance the role, helps them to send thought that comes out the idea picture, and solicits the direction control agreement.

４.開始錄製角色配音 voice talent begins recording
一開始皮克斯的藝術家們會為之後的故事板影片，先錄製「聲音草圖("scratch" voices)」作為暫時的版本。之後才會請到專業的演員來錄製角色的聲音，他們依照腳本唸稿，但也會有即興發揮的時候。演員們（或配音員）會錄製不同的版本，再從裡面選出效果最好的來進行未來的動畫製作。有時候皮克斯藝術家們錄製的聲音草圖十分逼真，就會被延用下去，不另找專業配音員，像是皮克斯故事督導Joe Ranft就曾為玩具總動員的企鵝Wheezy、蟲蟲危機的毛毛蟲Heimlich、海底總動員的蝦蝦Jacques、汽車總動員的消防車小紅Red的配音。

From the very beginning the Pike Si's artists after the story board movie, will record “the sound schematic diagram first (" scratch" voices)” takes the temporary edition. Afterward only then welcome do record the role to the specialized actor the sound, they will read the manuscript according to the script, but will also have extemporaneously display time. The actors (or dubbing) will record the different edition, will select the effect from inside to carry on future animation manufacture well again. Sometimes Pike the Si artists record the sound schematic diagram is very lifelike, will be extended with, will look for specialized dubbing not in addition, was likely Pike the Si story directs Joe Ranft once for toy general mobilization penguin Wheezy, insects crisis's caterpillar Heimlich, seabed general mobilization shrimp shrimp Jacques, the automobile general mobilization fire engine small red Red dubbing.

５.故事板影片製作 editorial begins making reels
故事板影片是將先前的故事板剪輯而成，當初故事能被採用跟說故事的人說得好有很大的關係，所以此時故事板影片必須排除其他影響因素，來確認各個鏡頭和時間點能讓觀眾瞭解。

The story board movie was becomes the formerly story board editing, initially the story could use to said story the human said well has the very much big relations, therefore this time story board movie must remove other influencing factor, confirmed that each lens and the time spot could let the audience understand.

６.藝術部門創造外觀和感覺 the art department creates the look and feel
以最初的故事大綱為基礎，經過不斷的腦力激盪創意發想，藝術部門創造出能鼓舞人心的作品來描繪角色與世界，包括設計場景、道具、視覺外觀和色彩，並以粉彩繪製彩色腳本，強調場景中的光線安排，提供給燈光部門做為燈光設定的依據。

Take the initial story program as the foundation, passes through the unceasing mental ability to surge the creativity to send thought that the artistic department creates can the encouraging work describe the role and the world, including the design scene, the stage prop, the visual outward appearance and the color, and by the famille rose plan colored script, stressed that in the scene the optical fiber arrangement, provides for the light department does for the light hypothesis basis.

７.角色建模與骨架設定 models are sculpted and articulated
Character TD使用藝術部門提供的模型組件（一系列的圖片參考清單），建造角色、場景和道具的實體模型，再由電腦建立3D模型（有時會略過實體模型的步驟），3D模型上的控制點能讓動畫師設定角色的動作，玩具總動員的woody光是臉部就有100個控制點。

Character the TD use art department provides the model module (a series of picture reference detailed list), the construction role, the scene and stage prop's full-scale mockup, will establish the 3D model by the computer (sometimes slightly to cross full-scale mockup again step), on the 3D model's control point can let the animator establish the role the movement, the toy general mobilization woody light is the face has 100 control points.


comming soon