片尾曲(ED)

Ending Theme/Song

片尾曲（エンディングテーマ/ソング， Ending Theme/Song， 簡稱ED），電視劇、電視動畫中劇末出現（但常在下集預告或是一些特別畫面前，有些時候是直接疊在本片最後一兩秒後開始播放，如機動戰士鋼彈 SEED系列），有時數目會多於一首歌。在隨後發行的原聲CD、及動畫資料中會以ED1、ED2或片尾曲一、片尾曲二等來表示。片尾曲的數目通常比片頭曲多。片尾曲中常表示的訊息有演員或配音員、編劇或腳本、電視劇幕後工作人員或動畫原畫及動畫製作人員、相關公司成員、鳴謝機構或人士、片尾曲詞曲歌手等。這些只是常例，依作品會有不同情形，片曲的情況和片頭一樣，也會使用個一季到兩季後就換歌曲。

此外，部分電視公司常將外購電視劇或動畫的片尾曲其剪片，或是不播出，情形較多。

[Edit] Pianwei Qu
Pianwei Qu (エンディンマー¥ ° Te /ソン¥ °, Ending Theme / Song, referred to as ED), television dramas, TV animation in the late drama (but often in the next set of notice, or some special pre-screen, sometimes directly stacked the final 12 seconds in the film begin playing, such as the Mobile Suit Gundam SEED series), and sometimes the number of more than one song. In the next issue of acoustic CD, and animation information will ED1, ED2, or Pianwei Qu 1, Pianwei Qu second-class to represent. The number of Pianwei Qu is usually more than the Opening theme. Pianwei Qu said frequently there are actors or voice message to a member or script writers, television dramas behind the scenes staff or animation of the original painting and animation production staff, relevant members of the company, thanks organization or person Pianwei Qu songwriters singers. These are just common practice, according to work will be different circumstances, conditions and片头Pianwei Qu, as will also use a quarter to two quarters after the change songs.

In addition, some television companies often will outsource its Pianwei Qu drama or animation, cut film, or not broadcast, the situation more.

Evangelion 2.0 - you can (not) Advance

Source:http://ent.msn.com.tw/movie/story.aspx?id=1030

日本超人氣動畫【福音戰士新劇場版：破】在日一推出，造成轟動，連續榮登兩週票房冠軍。上映兩天突破5億日幣，上映至今天17天，動員超過100多萬人次，累績至今的票房紀錄己達20億日幣，並締造單廳最高滿座率，勢如破竹，許多動畫迷視【福音戰士新劇場版】為日本當今最偉大的動畫。

Japan's ultra-popular animation 【Evangelion: 破】 a launch in Japan, causing a sensation, a row topped the box office winner for two weeks. Released two days breaking five billion yen, released today, 17 days to mobilize the more than 100 million, and have cumulative box office records so far have reached 20 billion yen, and create a single Office of the highest sold-out rates, irresistible force , Many animation fans as the 【Evangelion】 Japan of today's greatest animation.

OVA

OVA代表作

Original Video Animation [ə'rɪdʒənļ 'vɪdɪo ænə'meʃən] 縮寫 OVA

OVA，全稱Original Video Animation或Original Visual Animation，日式英文，直譯為「原創動畫錄影帶」。起初是OAV（Original Animation Video），在月刊Newtype強力宣導下OVA成為主流，現僅剩學研系動畫雜誌等仍用OAV。 OVA本指直接發行錄影帶而非在電視、電影等媒體上播放的動畫作品，但後來LD、VCD、DV等媒體逐漸普及，所以現時OVA中的「V」已不單純指錄影帶（Video Tape），而是泛指單獨發行的動畫作品，包括後來出現的OAD（Original Anime DVD/Disc）亦屬此類。

OVA, full title Original Video Animation or Original Visual Animation, the Japanese-style English, the literal translation is “the original animation videotape”. At first is OAV (Original Animation Video), OVA becomes the mainstream under the monthly publication Newtype force guidance, presently only remains study grinds is the animation magazine and so on still used OAV.

OVA originally points to directly publish a videotape rather than on TV, movie etc. the media up broadcast of animation work, but afterwards LD, VCD and DVD etc. the media are gradually universal, so"V" in nonce OVA already not pure point a videotape(Video Tape), but the animation work that indicates generally to publish alone, OAD(Original Anime DVD/Disc) that includes to afterwards appear also belongs to this kind.

片頭曲(OP)

Opening Theme (Op) ['opənɪŋ sɔŋ]片頭曲

片頭曲（オープニングテーマ/ソング， Opening Theme/Song， 簡稱OP）是電視劇或電視動畫劇初播放的樂曲、歌曲，（但日本動畫和電視劇常在前情提要前）。數目如多於一首歌的，在隨後發行的原聲CD、及動畫資料中會以OP1、OP2或主題曲（片頭曲）一、主題曲（片頭曲）二...等來表示。部份作品的片頭曲裡會顯示原作或編劇、導演、製作、贊助商、片頭曲詞曲歌手等訊息。有些沒有片尾曲的作品，會加上腳本、聲優或演員等（因此有像ONE PIECE片頭曲一樣長達2分30秒的）。這些只是常例，依作品會有不同情形，目前一首片頭曲通常會用13～26集（一季到兩季份），超長番的話有可能持續一年。

此外，部分電視公司在播放外購電視劇或動畫時會將其剪片，或是不播出，也有轉為其他歌曲的。

Opening theme (オ プ ニ ー ー マ ン ¥ ° Te / ソ ン ¥ °, Opening Theme / Song, abbreviated OP) is a television drama or animation music broadcast in early drama, songs, (but Japanese animation and TV dramas often in the former intelligence summary ago). If the number is more than one song, and in the subsequent release of the Soundtrack CD, and animation information will OP1, OP2 or theme songs (Opening theme) a theme song (Opening theme) 2 ... and so on to represent. The Opening theme where some work will show the original or a screenwriter, director, production, sponsors, Opening theme singer songwriters such as messages. Some are not Pianwei Qu's works, add the script, Sheng You, or actor, etc. (such as ONE PIECE Opening theme is therefore the same as long as 2 minutes 30 seconds). These are just common practice, according to work will be different circumstances, an Opening theme often present in 13 to 26 sets (one quarter to two quarters of copies), ultra-long fan, then there is likely to continue for one year.

In addition, some television companies in the broadcast television or animation outsourcing will be the cut when the film, or not broadcast, but also to other songs

背景音樂

Background music ['bæk.graυnd 'mjuzɪk] 背景音樂

背景音樂（Background music，簡稱BGM），也稱配樂，通常是指在電視劇、電影、動畫、電子遊戲、網站中用於調節氣氛的一種音樂，插入於對話之中，能夠增強情感的表達，達到一種讓觀眾身歷其境的感受。另外，在一些公共場合（如酒吧、咖啡廳、商場）播放的音樂也稱背景音樂。

BGM (Background music), also known as the soundtrack, usually refers to TV shows, movies, animation, electronic games, the site for regulating the atmosphere of a music, insert in its dialogue can enhance the expression of emotion, to a means of allowing the audience an immersive feel. In addition, in some public places (such as bars, cafes, shopping malls) where music is also known as background music.

High Morale Makes Creativity Cheap.

source:http://gigaom.com/2008/04/17/pixars-brad-bird-on-fostering-innovation/

Lesson Five: High Morale Makes Creativity Cheap

The Quarterly: It sounds like you spend a fair amount of time thinking about the morale of your teams.

Brad Bird: In my experience, the thing that has the most significant impact on a movie’s budget—but never shows up in a budget—is morale. [what’s true for a movie is true for a startup!] If you have low morale, for every $1 you spend, you get about 25 cents of value. If you have high morale, for every $1 you spend, you get about $3 of value. Companies should pay much more attention to morale.

第五季刊，高士氣讓你創造不費力!

這聽起來就像是，你該花多少時間去思考關於你隊伍的士氣

在我的經驗上，有一些事情對於電影預算有很大的影響，但是士氣卻不曾在這預算中出現，什麼對初創的點影公司來說是正確的，如果你的士氣低，你製作一塊錢的東西，你只能賺回25分，如果士氣高可以賺回三塊錢的價值，公司應該去花更多的時間注意士氣。

第六季刊，不要去守護你成功。諾言，除了士氣以外還有什麼東西是最重要的，對刺激創新來說。第一步，去達成這個不可能，先去相信這件不可能的事情能達成，你的作法不需要很保守，你做一些會讓自己嚇到的事情，這些事情是在你能力上可能會失敗的邊緣，那些事情會讓你在早上起床。

How do you build and lead a team?

source:http://gigaom.com/2008/04/17/pixars-brad-bird-on-fostering-innovation/

Lesson Four: Innovation Doesn’t happen in a Vacuum

The Quarterly: How do you build and lead a team?
Brad Bird: I got everybody in a room. This was different from what the previous guy had done; he had reviewed the work in private, generated notes, and sent them to the person… I said, “Look, this is a young team. As individual animators, we all have different strengths and weaknesses, but if we can interconnect all our strengths, we are collectively the greatest animator on earth. So I want you guys to speak up and drop your drawers. We’re going to look at your scenes in front of everybody. Everyone will get humiliated and encouraged together…

第四季刊，創新不會在真空的狀態下發生你要怎麼創立

去領導這個團體，我在這個機緣之下得到每個人，這跟先前的人做法是不一樣的，他自己在回顧這項工作，做出筆記，並且把這些筆送給別人，我說:這是一個年輕的團隊，做為一個獨特的人，我們都有不同的優缺點，但是我們可以聯合我們的優點，我們互補我們的優點，我們就是世界上最強的團隊。所以我想要你們說出來並敞開心胸，我們將在眾人面前看你的內心，我們將會得到汙辱跟鼓勵...

What sorts of things did you do differently?

source:http://gigaom.com/2008/04/17/pixars-brad-bird-on-fostering-innovation/

Lesson Two: Perfect is the Enemy of Innovation

The Quarterly: What sorts of things did you do differently?
Brad Bird: I had to shake the purist out of them—essentially frighten them into realizing I was ready to use quick and dirty “cheats” to get something on screen… I’d say, “Look, I don’t have to do the water through a computer simulation program… I’m perfectly content to film a splash in a swimming pool and just composite the water in.” I never did film the pool splash [but] talking this way helped everyone understand that we didn’t have to make something that would work from every angle. Not all shots are created equal. Certain shots need to be perfect, others need to be very good, and there are some that only need to be good enough to not break the spell.

第二季刊，完美是創新的敵人。

你做了那一類(A類)的事讓你有變化?
我曾經用那一類(A類)事情動搖了這些有修辭癖的學家，我會嚇唬那些有修辭癖的學家，不論用任何手段，去驚嚇那些學家直到在螢幕上出現該有的東西，看!我不一定要經過電腦模擬的計劃去做水，我非常的滿足的在一個水花，僅僅只是一個水進入泳池濺起的水花，我從來沒有拍攝過，在泳池裡水花的飛濺，但是談論這種方法，大家都明白，我們沒有必須去做任何角度拍攝的工作，不是所有的鏡頭都是一樣的，某些鏡頭需要拍的完美，其他的鏡頭不要太over就好。

How did your first project at Pixar—The Incredibles—shake things up?

source:http://gigaom.com/2008/04/17/pixars-brad-bird-on-fostering-innovation/

Lesson One: Herd Your Black Sheep

The Quarterly: How did your first project at Pixar—The Incredibles—shake things up?
Brad Bird: I said, “Give us the black sheep. I want artists who are frustrated. I want the ones who have another way of doing things that nobody’s listening to. Give us all the guys who are probably headed out the door.” A lot of them were malcontents because they saw different ways of doing things, but there was little opportunity to try them, since the established way was working very, very well. We gave the black sheep a chance to prove their theories, and we changed the way a number of things are done here.

第一季刊，聚集你的害群之馬

你在皮克斯理地一個計畫是啥麼?-(把這些不被信任的東西混在一起)給我這些失敗的藝術家，我想要有一個創新的方法去做那些事，則那些是沒人想要聽的，把全部這類人給我，誰可帶領我們走出這扇門，不滿那些失敗者的人，他們看不慣失敗者做事的方法，儘管這些事情值得一試，自從豎立這個方法經營的非常好之後，我們給這些失敗者一個機會，去證明他們的理論，可以用新的方法去改變這些說法。